every 33 years in a room without a door. Stranger still, it seems to have the same face as the narrator. Made into a film in 1920, this extraordinary book combines uncanny psychology of doppelganger stories with expressionism and more than a little melodrama... Meyrink's old Prague - like Dicken's London - is one of the great creations of City writing, an eerie, claustrophobic and fantastical underworld where anything can happen." -- Phil Baker in The Sunday Times

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