1970s. Dancing around an ongoing dialogue on methods and goals between the Real Mesoamerican Archaeologist, the Great Synthesizer, and the Skeptical Graduate Student, it is both a seminal tract on scientific method in archaeology and a series of studies on formative Mesoamerica. It critically evaluates techniques for excavation, sampling of sites and regions, and stylistic analysis, as well as such theoretical factors of explanation as population pressure, trade, and religion and launched similar studies for several later generations of archaeologists. A new Foreword by Jeremy Sabloff is featured in this edition.

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