complete the author's analytical research of the works of Virgilio Pinera and delves into the works of Jose Triana, Abelardo Estorino, Nicolas Dorr, David Camp, Eugenio Hernandez Espinosa and other authors that represented the best of that decade in Cuba. It also puts into effect an analysis of the dramatic works produced by exiled Cubans, often marginalized, with the analysis of the works of Rene Ariza, Leopoldo Hernandez, Julio Matas, Manuel Pereiras, Jose Corrales, Ivan Acosta, Rene Aloma, Jorge Valls, and the author himself, giving a sample of the new Cuban drama that is being consolidated outside the insular space of the Cuban island.

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