Recognizing the increasingly global nature of both media and religion, the volume focuses on the ways in which the Bible is interpreted and visualized not only within Hollywood but also far beyond it. Cutting-edge analysis of films from France, Canada, Sweden, India, and elsewhere reveals that the Bible's visualization is culturally rooted and contributes to the shaping of a particular culture, including its perception of the Bible itself.Essays range across the canon from "Exodus" to "Ecclesiastes" to "Revelation", interacting with films of various national traditions and periods from Blackton's "Life of Moses" (1909) to "Karunamayudu" (1978) to Cronenberg's "eXistenZ" (1999). The volume engages the breadth of current scholarly interest in this interdisciplinary field, including the critical reading of 'Bible films', the exploration of biblical motifs and themes within contemporary cinema, and concluding responses to the essays from both a biblical scholar and a film scholar. Paperback to this edition is available from the Society of Biblical Literature.

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