dramatic works in this volume (La Ronde, Anatol, The Green Cockatoo,and Flirtation) are among the most celebrated plays of the 20th century. Much like his contemporary Sigmund Freud, Schnitzler's work is inextricable from the social and intellectual milieu, which accompanied the decline of the Austro-Hungarian Empire. This was the age of the "Viennese Secessionists," exemplified by composers such as Berg, Webern, and Schoenberg, painters Gustav Klimt and Oskar Kokoschka, the foundations of modern architecture, and Zionism. To add to the ferment, Freud introduced his theories of sexuality. It was from within this maelstrom that Schnitzler wrote his plays. He wrote with charm and grace and with great compassion for the frailty of humankind. These plays are regularly performed throughout the world and are acclaimed as masterpieces of modern theater. Mueller's translations of plays include works by Brecht, Buchner, Wedekind, Hauptmann, Strindberg, and Sophocles.

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