1975. Reznikoff's subject is one people's suffering at the hand of another. His source materials are the U.S. government's record of the trials of the Nazi criminals before the Nuremberg Military Tribunal and the transcripts of the Eichmann trial in Jerusalem. Except for the twelve part titles, none of the words here are Reznikoff's own: instead he has created, through selection, arrangement, and the rhythms of the testimony set as verse on the page, a poem of witness by the perpetrators and the survivors of the Holocaust themselves. He lets the terrible history unfold -- in history's own words. Reznikoff's technique, says David Lehman, "contradicts the very faculty of understanding. He lets reality speak for itself, lets it state the externals of the thing or event, and leaves unspoken (or edits out) the emotions, which the reader may be counted on to provide for himself." Few readers will forget the emotions they bring to Holocaust.

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