and France in her search for one with the ideal combination of social power, money, and material possessions―something “more luxurious, more exciting, more worthy of her!” Wharton’s criticism of the leisure-class marriage market becomes a brilliant satire on the nature of desire, as the novel links marriage and divorce with selfish ambition and the culture of consumerism. This Broadview edition provides a critical introduction and appendices that include Wharton’s outline for and correspondence about The Custom of the Country, excerpts from Friedrich de la Motte Fouqué’s novella Undine, and passages from works by Charles Darwin, Emma Goldman, Henry James, and Thorstein Veblen, among others.

Hide more