experience for Miller and for the Chinese company, most of whom had never even heard of 'life insurance' or 'installment payments'. Miller had forty-eight days of rehearsals in which to direct his play and, while there, he kept a diary.This book tells the fascinating story of Miller's time in China and the paradoxes of directing a tragedy about American capitalism in a Communist country, and features photographs throughout by Inge Morath. In this edition, Miller's diary is given a contemporary context as the production and process is investigated against the backdrop of twenty-first century China and its theatre, through a new introduction by Claire Conceison, Professor of Theatre Studies at Duke University.

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