writers of the romantic genre. Selections includes, but not limited to the following: "A Tale of Jerusalem" (1832), "Bon-Bon" (1832), "Loss of Breath" (1832), "Metzengerstein" (1832), "The Duc de L'Omelette" (1832), "Four Beasts in One" (1833), "MS. Found in a Bottle" (1833), "The Assignation" (1834),, "Berenice" (1835), "King Pest" (1835), "Lionizing" (1835), "Morella" (1835), "Shadow" (1835), "Mystification" (1837), "A Predicament" (1838), "Ligeia" (1838), "Silence" (1838), "The Devil in the Belfry" (1839), "The Fall of the House of Usher" (1839), "The Man That Was Used Up" (1839), "William Wilson" (1839), "The Business Man" (1840), "The Man of the Crowd" (1840), "A Descent into the Maelström" (1841), "Eleonora" (1841), "Never Bet the Devil Your Head" (1841), "The Murders in the Rue Morgue" (1841), "Three Sundays in a Week" (1841), "The Gold-Bug" (1842), "The Landscape Garden" (1842), "The Masque of the Red Death" (1842), "The Mystery of Marie Rogêt" (1842), "The Oval Portrait" (1842), "The Pit and the Pendulum" (1842), "A Tale of the Ragged Mountains" (1843), "The Black Cat" (1843), "The Tell-Tale Heart" (1843), "Mesmeric Revelation" (1844), "Thou Art the Man" (1844), "The Angel of the Odd" (1844), "The Balloon-Hoax" (1844), "The Oblong Box" (1844), "The Premature Burial" (1844), "The Purloined Letter" (1844), "The Spectacles" (1844), "The System of Doctor Tarr and Professor Fether" (1844), "Some Words with a Mummy" (1845), "The Facts in the Case of M. Valdemar" (1845), "The Imp of the Perverse" (1845), "The Power of Words" (1845), "The Cask of Amontillado" (1846), "The Domain of Arnheim" (1846), "The Sphinx" (1846), "Hop-Frog" (1849), "Landor's Cottage" (1849), "Mellonta Tauta" (1849), "The Light-House" (1849), "Von Kempelen and His Discovery" (1849),

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