particular focus on the performance of historical plots. Contributors include distinguished scholars from parts of the world as far apart as Toronto and Istambul, Singapur and Cardiff, or Berlin and Alicante, in all walks of academic life, from emeritus professors to recent PhDs. Covering a broad spectrum between cultural studies and metahistory, from politics to literature, and exploring the various performative aspects of history writing, in their full range, from myth to the sublime, the whole endeavours to be greater than the sum of its parts. The essays begin by questioning traditional historiography and the problems of referentiality it entails. Locating history-making in the primal scene of the political imaginary, the essays then analyse the emplotment of history in visual culture, museum exhibitions, drama, and the fa brication of national identities, culminating in some case studies of literary recreations of history, which suggest that the ultimate source of historiographic transformation is related to writing itself as a performative act. The overall argument therefore drifts from ratidical antirepresentationalism to an emphasis on presentation over representation, and from there to the performativity of the historical text.

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