from Newfoundland to stumble over; the covers of a book vibrate through broken intimacy. Here, friendship has the power to transform; love, to disembody. In a series of radical translations of the Earl of Surrey's sixteenth-century sonnets, a garden of plastic delights uproots the pastoral scene; a gallant compliment on social pedigree translates as salacious appreciation for a chef's handling of a ripe tomato. The poems of Volta turn place and time over on themselves, examining how we make what we call home, and what it is to be in relation: to people, to place, to history. A shape-shifting speaker rejects the idea of a singular self, and invites the reader to join a quest for that hypothetical meeting-place where community beckons but is never reached.

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