The earlier work-apprentice to Zukofsky but finding her voice; the central work—when she discovers her range and depth; the final work—much of it known posthumously—showing how she was probing other voices into a larger plenum. "One's first impulse, after awe, on reading THE GRANITE PAIL is a double dose of shame: shame at not being more familiar with her work; shame at ever having complained of the narrowness of one's life"—Carolyn Kizer.

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