The emperor has decreed that no one, except the masons, labourers and slaves who exist within those walls, shall turn to look at the building until it is complete. Now, as the building nears completion and the first light catches on the pure white domes behind them, the temptation to steal a glance at the most beautiful monument the world has ever seen grows stronger. But beauty has a price and Humayun and Babur are about to learn its true cost. Guards at the Taj takes as its starting point an enduring legend and prompts contemporary audiences to revisit questions about art and privilege.

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