depth and breadth of  contemporary American poetics. Collectively, these essays break with conventional interpretive frameworks and traditional generic boundaries of poetry to give fresh voice to the  poetics of our time. Neither dismissive of the aesthetic value(s) of poetry, nor reluctant to articulate the ways in which aesthetic evaluation is complicated by the mediating influences of history, culture, class, gender, race, and academic status, the writers presented in this anthology celebrate the artifice of the poetic text while also accepting as a given the indeterminacy of its inception and reception.   Individual pieces range in style and approach from theoretical writings to discussions of individual poets such as Emily Dickinson, Louis Zukofsky, and Bob Kaufman. The authors consider such critical issues as gender and the possibilities of a feminist poetics, the textual politics of race and class, and the broader implications of an avant-garde practice. CONTENTS / CONTRIBUTORS   Section 1: Form/Syntax/Speech Charles Bernstein Bob Perelman Barrett Watten Michael Davidson Marjorie Perloff   Section 2: Pattern/Experience/Song David Antin Leslie Scalapino Lyn Hejinian John Taggart   Section 3: Institutions and Ideology James Sherry Ron Silliman Steve McCaffery Hank Lazer Nathaniel Mackey Maria Damon   Section 4: Poetics and Gender Rae Armantrout Rachel Blau DuPlessis Susan Howe

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