modernity became one of their defining features. Through a series of case studies covering such diverse subjects as car culture, mountaineering, war veterans, murder trials, and a bridge collapse, Christopher Dummitt argues that the very idea of what it meant to be modern was gendered. A strong current of anti-modernist sentiment bubbled just beneath the surface of postwar masculinity, creating rumblings about the state of modern manhood that, ironically, mirrored the tensions that burst forth in 1960s gender radicalism.

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