father Agamemnon at the start of the expedition against Troy. Produced at the end of the Peloponnesian war, it explores the breakdown of social norms which turns Greeks against Greeks, men against women, and condemns young brides to death. Pantelis Michelakis examines the mythological, sociopolitical and institutional background, as well as the cultural, political, institutional, and theatrical contexts within which it was originally composed and performed.He highlights the main themes and major issues in modern criticism, and ends with an outline of its performance history and reception.

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