1450 to 1600. Thematically organized, it puts special emphasis on the relationship between art and the political, social, and religious institutions of the Venetian Republic. The creative achievements of major painters such as Bellini, Titian, Tintoretto, and Veronese and of major architects such as Sansovino and Palladio are viewed in the context of the particular needs and ideologies of individual and institutional patrons.

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