century. For the nonspecialist reader the main attraction of the book will be the translations of Fan Chengda's poetry, which make up almost half of the text, and includes poems on such familiar themes as the Chinese countryside, peasant life, Buddhism, and growing old. The more technical part of the book contains a biography of the poet, a discussion of his affiliation with poets of the generation before him, a detailed analysis of his style, and discussion of the major themes of his work. This work is the first representative sampling of Fan's work in any Western language.

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