enchanter."--Michael Dirda, The New York Review of BooksFrom a "literary original" (The Wall Street Journal) comes a book that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence. Seventy-two-year-old August Brill is recovering from a car accident at his daughter's house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget: his wife's recent death and the horrific murder of his granddaughter's boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill's story grows increasingly intense, and what he is desperately trying to avoid insists on being told.  Paul Auster is the bestselling author of The Book of Illusions, and The New York Trilogy, among many other works. In 2006 he was awarded The Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters. Among his other honors are the Independent Spirit Award for the screenplay of Smoke and the Prix Médicis étranger for Leviathan. He has also been short-listed for the International IMPAC Dublin Literary Award (The Book of Illusions), the PEN/Faulkner Award for Fiction (The Music of Chance), and the Edgar Award (City of Glass). His work has been translated into thirty-five languages. He lives in Brooklyn, New York. Longlisted for the International IMPAC Literary AwardA work of fiction with a dark political twist, Paul Auster's Man in the Dark speaks to the realities that America inhabits as wars flame around the world. Seventy-two-year-old August Brill is recovering from a car accident in his daughter’s house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget?his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill’s story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus’s death.

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