become sensuous vehicles for the articulation of political ideas. "What fascinates Bokina about opera in this gratifying and overdue inquiry is not its soprano rivalries nor its musical particularities, but its political commentary and social function. Indeed, the author raises many new questions about some of the most frequently studied masterpieces of the genre. . . . At least a dozen operas figure into this provocative and original analysis, and Bokina is unfailingly lucid in his attempt to capture 'the intentional, shared, and transcendental levels of political meaning' he searches for in opera."-Virginia Quarterly Review

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