been censored, truths that are still uncomfortable. But how do individuals begin to speak about a political past that was too horrible for words, especially when the words only came in torrents of pabulum, snake oil, and venom? How are versions of events that have slipped outside of official narratives best voiced in a society moving out of authoritarianism? This generously illustrated volume examines the art of truth-telling and the creation of stories, accounts, images, songs, street theater, paintings, urban designs, and ideas that pay witness to authoritarian pasts. This comprehensive collection, with contributions by scholars, activists, and artists from around the world, explores this theme across a range of national experiences, each featuring its own unique set of historical, institutional, and cultural conditions. This book is bold, creative in form and content, and unlike any other treatment of authoritarian transitions, with the editors and contributors daringly staking a place for cross-disciplinary conversations on modern history, creative art, politics, and social meaning. By examining the truths?both official and unofficial?about the past, we can learn how to avoid repeating atrocities in the future.

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