insights into how Germans dealt with the aftermath of the war. In her cultural analysis of the relationship between modern historical violence, cultural memory, and cinematic representation, Pinkert argues that the cinematic productions of East Germany offer a corrective to misperceptions about German responses to the legacy of the war.Film and Memory in East Germany considers antifascist films of the immediate postwar period, which depict the reintegration of former soldiers into society and the crisis of masculinity that accompanied the aftermath of the war; the socialist films of the late 1940s and 1950s, which attempt to shape a new national imaginary through stories of exemplary socialist womanhood; and, finally, the cinematic return to 1945 in socialist modernist films of the 1960s.

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