trauma that echoes through later generations, for those on both sides of the act. Gabriele Schwab reads these legacies in a number of narratives, primarily through the writing of postwar Germans and the descendents of Holocaust survivors. She connects their work to earlier histories of slavery and colonialism and to more recent events, such as South African Apartheid, the practice of torture after 9/11, and the "disappearances" that occurred during South American dictatorships.Schwab's texts include memoirs (Ruth Kluger's Still Alive and Marguerite Duras's La Douleur), second-generation accounts by the children of Holocaust survivors (Georges Perec's W, Art Spiegelman's Maus, and Philippe Grimbert's Secret), and second-generation recollections by Germans (W. G. Sebald's Austerlitz, Sabine Reichel's What Did You Do in The War, Daddy?, and Ursula Duba's Tales from a Child of the Enemy). She also incorporates her own reminiscences of growing up in postwar Germany, mapping networks of interlaced memories and histories as they interact in psychic life and cultural memory. Her critical approach draws on theories from psychoanalysis, postcolonialism, and trauma studies, and Schwab concludes with a bracing look at issues of responsibility, reparation, and forgiveness across the victim/perpetrator divide.

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