Applying a novel theoretical framework that understands collective identities as dramaturgical achievements, it shows that stereotypes of Turks continue to provide an important “Other” against which a supposed European “Self” is contrasted. The book identifies two competing meta-narratives that have long vied for the right to define Christendom and later Europe, and argues that the struggle over these narratives--one tragic, the other comic--have come to a head in Turkey’s current bid for EU membership.

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