and critical writings. Together they amount to a portrait of a complex personality, that of a conscious aesthete, the most exotic of American writers, who had at the same time engaged in an astonishing variety of interests. Nor are the 'Grotesque' tales the simple manipulations of terror that they seem; David Galloway's introduction reveals their author as a profoundly serious writer, whose investigations of extreme states of consciousness have a particular relevance for our time.

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